Trapazedarhomboid

I have three bodies of work: 1. "Pulling Cows" - this is my oldest body of work and deals with (as you can imagine) cows as a stand in for all sorts of ideas. 2. "The Hinkle Paintings" which is my figurative, narrative and generally odd situation body of work. 3. "Meat Pods" which deals with large floating masses of fleshy organ-like meat pods.

The problem is that not everything I do fits so neatly into one of these categories.  Sometimes I paint and draw other things.  Sometimes these things are visual anomalies and sometimes only the first one is.  The first cow I ever painted was an anomaly until it was followed by 100 or so more.

I have decided to start a category of images that fall into this category, an island of misfit toys in a way.  These will be paintings that at the time of posting, aren't on my website and aren't really under active scrutiny by me.  They are studies for things I don't know I am studying yet.



Ed's Blackbird is just such an image.  I lived in Norwood Ohio while in graduate school at the University of Cincinnati.  I lived in a house with my wife's grandfather.  It was an old house and the room I lived in, had this funky peach/pink felt wallpaper.  The wallpaper was falling off the wall and I kept a piece that hit the floor during my stay and recently decided to turn it into a mixed media painting/drawing in combination with a drawing I had done at some point when I was fairly obsessed with red wing blackbirds.  The result was this work titled "Ed's Blackbird."  I have shown this before in conjunction with Travis Townsend as a Smith Townsend Collaborative "part" to one of our larger things.